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HORTON FOOTE AWARD
FOR SPECIAL ACHIEVEMENT IN SCREENWRITING
History of the Award
In February 2002, a new Natchez Literary and Cinema Celebration award,
the Special Achievement Award for Screenwriting, was established.
The first award went to Horton Foote, Wharton, Texas, an Oscar-Winning
and Pulitzer Prize-Winning writer of screenplays, plays, and a non-fiction
memoir.
Following the announcement of Foote as the first winner of the award,
it was immediately announced that henceforth the award would be named in
his honor, the Horton Foote Award for Special Achievement in
Screenwriting. Winners must be Southerners who have excelled in writing
screenplays.
Called the “American Chekhov, “ Foote at age 16 left home to study
acting in Dallas, Texas, then in California at the Pasadena Playhouse, and
finally in New York. At first he wrote plays to provide himself with
attractive parts, but he became fascinated with writing and gained acclaim
with such plays as The Young Man from Atlanta (which won a Pulitzer
Prize), The Trip to Bountiful (which won an Indie Award for Best
Writer), The Chase, The Traveling Lady, On Valentine’s Day,
and Convicts.
Foote’s new play, The Carpetbagger’s Children, which was
performed to great acclaim in Houston, Minneapolis and Hartford, Conn.,
played from March until June 2002 at the Mitzi E. Newhouse Theater at
Lincoln Center in New York. Again, critics were universal in their praise
for Foote’s work.
Foote is also lauded for such screenplays as Storm Fear, To Kill a
Mockingbird (which won an Oscar), Baby, the Rain Must Fall, Hurry
Sundown, Tomorrow (an adaptation of William Faulkner’s work),
Tender Mercies (which won a second Oscar), and a remake of Steinbeck’s
Of Mice and Men. He is also author of a recent memoir, Farewell,
which tells his own story and that of people who inspired his characters.
The Horton Foote Award for screenwriting is the brainchild of Gerald
McRaney, an award-winning film and television actor of Mississippi and
Sherman Oaks, Calif. Since the Natchez Literary Celebration in 2001
changed its name at McRaney’s suggestion to Natchez Literary and Cinema
Celebration to reflect its increased focus on film, McRaney suggested a
writing award for that medium.
The Horton Foote Award is underwritten by The Mississippi Film Office,
Division of Tourism, Mississippi Development Authority.
Winners of the NLCC’s Horton Foote Award
(1) 2003: Billy Bob Thornton of Hot
Springs, Ark., and Hollywood, Calif. With the film Sling Blade,
Thornton made his mark as star, screenwriter, and director. Other films
that Thornton has written (with Tom Epperson) are One False Move
and A Family Thing.
Thornton’s awards for screenplay writing include a Writers Guild of
America Award and an Academy Award, both for Best Screenplay Based
on Material Previously Produced or Published for Sling Blade.
In addition, Thornton has won numerous awards as a filmmaker, including
the National Board of Review Special Achievement Award in Filmmaking
for Sling Blade and the Independent Spirit Award for Best
First Feature for Sling Blade.
A noted actor, Thornton has won the Chicago Film Critics Association
Award for Best Actor for Sling Blade, Los Angeles Film
Critics Association Award for Best Supporting Actor for A Simple Plan,
Boston Society of Film Critics Award for Best Supporting Actor for
A Simple Plan, Broadcast Film Critics Association Award for Best
Supporting Actor for Primary Colors and A Simple Plan,
Online Film Critics Society Award for Best Supporting Actor for A
Simple Plan, and Chicago Film Critics Award for Best Supporting Actor
for A Simple Plan. Other films in which Thornton has had key
roles are U-Turn, One False Move, Pushing Tin, The Apostle, and
Armageddon
(2) 2004: Gail Gilchriest of Los
Angeles and East Texas. With the screenplay adaptation of Willie Morris’
novel, My Dog Skip, and the teleplay adaptation of Eudora Welty’s
novella, The Ponder Heart, Gail Gilchriest has won a devoted
following.
Her feature films in addition to My Dog Skip include Scarlett
Fever (a.k.a. The Belle), a feature-length romantic comedy
inspired by Gone With the Wind; High Hopes (a.k.a. Suddenly
Yours), a re-write of a feature-length romantic comedy; Crazy Love,
re-write of a feature-length romantic comedy; and The Haunting of Hiram
C. Hopgood, a screenplay adaptation of a British children’s book by
Eva Ibbotson.
Gilchriest’s television credits in addition to The Ponder Heart
include And Baby Makes Three, one third of a triology along with
Beth Henley and Rodney Vaccaro; and Welcome to the World, Baby Girl!,
a teleplay adaptation of a novel by Fannie Flagg, produced by Oprah
Winfrey and Kate Forte.
In addition, Gilchriest has written a Walt Disney Television Animation,
The Return of the Diamond Avenger, and two books, Bubbas and
Beaus and The Cowgirl Companion. She also wrote two documentary
films, O Cowgirls! and an A&E Biography: Tyrone Power: The Last
Idol.
She has worked in television advertising with FX True Stories,
Lifetime Sports, and The Learning Channel. Her journalism
experience includes reporting and column writing for The Houston Post
and writing for such magazines as Elle, Sports Illustrated,
Cosmopolitan, and Texas Monthly.
Gilchriest holds a bachelor’s degree from The University of Texas at
Austin and attended a creative writing program at Columbia University and
a graduate screenwriting workshop at New York University.
She has received the 2000 Christopher Award in New York for My Dog
Skip; the Quarterfinalist Award from the Chesterfield Writers’ Film
Project, Los Angeles; the Quarterfinalist Award from the Cinestory
Screenwriter’s Conservatory, Chicago; the Quarterfinalist Award from the
Nicholl Screenwriting Fellowship, Los Angeles; and the “Katie” Award for
Feature Writing from the Press Club of Dallas.
(3) 2005: Callie Khouri of Los
Angeles, born Carolyn Ann Khouri in Texas, lived in Texas, Kentucky, and
Tennessee when growing up. She attended Purdue University and later moved
to Los Angeles to study at the Strasburg Institute. She is the writer of
the screenplays Thelma & Louise, Something to Talk About, Divine
Secrets of the Ya-Ya Sisterhood, and Mad Money. She also
directed and produced Divine Secrets of the Ya-Ya Sisterhood and
Mad Money. For Thelma & Louise, she won the 1992 Academy Award
for Best Writing, Screenplay Written Directly for the Screen; a Golden
Globe Award for Best Screenplay – Motion Picture; and a Writers Guild of
America Award for Best Screenplay Written Directly for the Screen.
In addition, she was nominated for a BAFTA Film Award for Best Original
Screenplay for Thelma & Louise.
(4)
2006:
Beth Henley,
born
Elizabeth Becker Henley on May 8, 1952, in Jackson,
Mississippi. Growing up, Henley always dreamed of becoming an actress.
After graduating from high school, she attended Southern Methodist
University where she wrote her first play, a one-act entitled
Am I Blue, which was produced
at SMU's Margo Jones Theatre in 1973.
Henley's first
professionally produced play, Crimes
of the Heart, was the co-winner of the 1979 Great American Play
Contest sponsored by the Actors Theatre of Louisville. A black comedy
about three sisters, one of whom has just shot her husband,
Crimes of the Heart then moved
to New York where it won the Pulitzer Prize for Drama and the New York
Drama Critics Circle Award for Best American Play of 1981.
Henley's other plays include
The Wake of Jamey Foster
(1982), Am I Blue (1982),
The Miss Firecracker Contest
(1984), The Debutante Ball
(1985), The Lucky Spot
(1986), Abundance (1990),
Control Freaks (1992),
Signature (1995),
L-Play (1996), and
Impossible Marriage (1998).
In addition to her stage plays,
Ms. Henley has written a number of screenplays including the acclaimed
film version of Crimes of the Heart
which was nominated for an Academy Award and featured Diane
Keaton, Jessica Lange, Sissy Spacek, and Sam Shepard. Other screenplays by
Henley include Miss Firecracker
starring Holly Hunter, Mary Steenburgen, and Tim Robbins, and
Nobody's Fool starring Rosanna
Arquette and Eric Roberts. She also collaborated on
True Stories (1986) with
Steven Trobolowsky and David Byrne, the lead singer of the Talking Heads,
who directed and starred in the film.
In 2000 Ms. Henley won the
Richard Wright Literary Excellence Award for her playwriting skills. By
winning the Horton Foote Award in 2006, she becomes the Natchez Literary
and Cinema Celebration’s only multiple award winner.
5)
2007: Charles Burnett,
native of Vicksburg, Miss., now of Los Angeles. He is author of the
screenplays Killer of Sheep; To Sleep
with Anger; My Brother’s Wedding; Guests of Hotel Astoria; The Glass
Shield; When It Rains; Nightjohn; The Wedding; Dr. Endesha Ida Mae
Holland; Selma, Lord, Selma; The Annihilation of Fish; Olivia’s Story;
Finding Buck McHenry; and
Bless Their Little Hearts.
6) 2008: Alfred Fox Uhry,
native of Atlanta, Ga. A graduate of
Brown University,
Uhry worked first for the stage as a lyricist and
librettist.
His first major work was
The Robber
Bridegroom (1975),
a
musical
composed by Robert Waltman based on a
novella
by
Eudora Welty.
Uhry received his first Tony award nomination for this play.
He also co-wrote the screenplay for the
1988 film
Mystic Pizza.
Driving Miss Daisy
(1987)
is the first in what is known as his "Atlanta
Trilogy" of plays, all set during the first half of the
20th century.
The play earned him the
Pulitzer Prize for
Drama. It deals with the
relationship
between an elderly Jewish woman and her black
chauffeur.
He adapted it into the screenplay for a
1989 film
starring
Jessica Tandy
and
Morgan Freeman,
an adaptation which was awarded the
Academy Award for
Writing Adapted Screenplay.
The second of the trilogy,
The Last Night of
Ballyhoo
(1996),
is set in
1939
during the premiere of the film
Gone with the Wind.
It deals with a
Jewish
family during an important social event. It was commissioned for the
Cultural Olympiad in Atlanta which coincided with the
1996 Summer
Olympics, and received the
Tony Award for Best
Play.
The third was a
1998
musical called
Parade,
about the
1913
lynching
of Jewish factory manager
Leo Frank.
The
book for the play
earned him a.Tony
Award for Best Book of a Musical.
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